Showing posts with label Ghazal. Show all posts
Showing posts with label Ghazal. Show all posts

Saturday, October 20, 2012

Mirza Ghalib - A Musical Feast

Mirza Asadullah Khan Ghalib (b.1797 - d.1869) was one of Urdu's greatest poets. No other poet (with the possible exception of Faiz in the 20th century) has seeped into the popular imagination of the Urdu-knowing sub-continent quite like Ghalib. His cultural influence in the world of Urdu is almost Shakesperean. Ghalib's ghazal poetry and prose (in the form of his letters to friends) have left a lasting imprint on the language itself. What is remarkable is that this towering reputation is built on a slim volume. "Deevan-e-Ghalib" is less than 200 pages of Urdu poetry.

Featured extensively in art, film and theater, it is music where his poetry has found a permament home for well over a hundred years. It is a rare popular or semi-classical vocalist of the sub-continent who hasn't sung Ghalib's ghazals. This post will celebrate the wonderfully varied presentations of Ghalib's poetry in music. So much of Ghalib's poetry is familiar to audiences that I have chosen a different ghazal for each of my favorite pieces highlighted here. Every one of these ghazals has been sung by different performers in multiple compositions.

Let's kick this off with a couple of cuts from film music:

Bharat Bhushan played Mirza Ghalib in the 1954 Indian film of that name and the lovely Suraiyya played the courtesan ChaudhviN. Here is Suraiyya singing "Aah ko chaahiye ik umr asr hone tak". The composition is by Ghulam Mohammad (whose music for the film "Pakeezah" years later immortalized him).

Gham-e-hasti ka Asad kis se ho juz marg ilaaj
Shama har rang meiN jalti hai sehr hone tak
 

In the 1961 Pakistani film "Mirza Ghalib", Noor Jehan played the ChaudhviN character and her rendering of "Muddat hui hai yaar ko mehmaN kiye huue" is justly famous. The composer is Tassaduq Hussain.

Jee dhoondta hai phir wohi fursat, keh raat din
Baithe raheN tasawwur-e-jaanaN kiye huue
 

Gulzar's TV serial Mirza Ghalib on Doordarshan in the late 80's must be credited with introducing Ghalib to a whole new generation of Urdu lovers. Naseeruddin Shah's sublime portrayal of Ghalib was the highlight of that production and ghazal singer Jagjit Singh sang the ghazals in his beautiful, deep voice. Jagjit Singh who passed away last year helped keep ghazal singing alive in India where the new generation seems ever more removed from the old composite culture of the Urdu/Hindi-speaking belt. Jagjit and Chitra Singh's contribution to Indian ghazal singing is undeniable but even though they sang some great compositions their virtuosity falls short of both the masters of the light genre like Lata and Noor Jehan and the semi-classical greats like Mehdi Hassan and Farida Khanum.

Here's a nice version of "Unke dekhe se jo aa jati hai munh par raunaq" by Jagjit from the TV serial.

Hum ko ma'loom hai jannat ki haqeeqat lekin
Dil ke khush rakhne ko Ghalib yeh khayal achha hai
 

Before moving on to the semi-classical parade of immortal melodies lets listen to a singer who was his own genre. There has been no other Kundan Lal Saigal; the voice, the mastery, the soul-stirring performances! The music of K.L. Saigal is a human treasure. Saigal singing "Phir mujhe deeda-e-tar yaad aaya".

Dum liya tha na qayamat ne hunooz
Phir tera waqt-e-safar yaad aaya
 

Begum Akhtar sang countless Ghalib ghazals in her inimitable style. Here she is singing "Nukta cheeN hai, gham-e-dil uss ko sunaye na bane":

Ishq par zor nahiN hai yeh woh aatish Ghalib
Keh lagaye na lage aur bujhaye na bane
 

Ustad Amanat Ali Khan (the scion of the Patiala gharana) was a classical singer but with few patrons of classical music in Pakistan he started singing ghazals in a light style and gained a tremendous following. He died almost 40 years ago but his ghazals remain highly popular. "Yeh na thee hamari qismat keh visaal-e-yaar hota":

KahooN kis se meiN keh kya hai shab-e-gham buri bala hai
Mujhe kya bura tha marna agar aik baar hota
 

Anyone who has ever visited this page knows of my reverence for Mehdi Hassan. I remain in awe of the great man's musical genius. Here's a little gem of a performance of a Ghalib ghazal by the emperor of ghazal singing: "Arz-e-niaz-e-ishq ke qaabil nahiN raha".

Bedaad-e-ishq se nahiN darta, magar Asad
Jis dil pe naaz tha mujhe, woh dil nahiN raha
 

Malika Pukhraj at her best in this melodious rendering of "TaskeeN ko hum na royeN jo zauq-e-nazar mile":

Saaqi gari kee sharm karo aaj, warna hum
Har shab piya hee karte heiN mae, jis qadar milay
 

The stentorian voice of Farida Khanum (disciple of another Patiala vocalist Ustad Ashiq Ali Khan) singing "Zikr uss parivash ka aur phir bayaaN apna":

Hum kahaaN ke da'na thhe, kis hunar meiN yakta thhe
Be-sabab hua Ghalib dushman aasmaN apna
 

Iqbal Bano (disciple of Ustad Chand Khan of Delhi) sings "Dayam para hua teray dar par nahiN hooN meiN" on PTV's program 'Nikhar' in 1974. The mehfil is at the house of the writer Ashfaq Ahmed and you can see several prominent writers and poets (Ahmed Faraz, Ehsaan Daanish etc.) in this video.

Yaa rab zamana mujh ko mitata hai kis liye
Lauh-e-JahaaN pe harf-e-mukarrar nahiN hooN meiN



Abida Parveen, the queen of Sufi music brings her uniquely spiritual style to Ghalib in this wonderful performance of "Ibn-e-Maryam hua kare koyee".

Jab Tawaqqo hee uth gayee Ghalib
KyuN kisi ka gila kare koyee
 

I will end with a reading by Zia Mohyeddin of his own essay "Ghalib aur MeiN". Zia Mohyeddin's literary readings are performance art themselves and he has done a great service in introducing younger audiences to the pleasures of Urdu literature. His multi-CD readings of Ghalib's letters ("Ghalib ke khatoot") are a masterpiece. Here's a little flavor of Zia Mohyeddin reading Ghalib's letter to Mirza Alauddin Ahmed. They introduce the listener to the cadences of the cultured, informal language of Ghalib's era. This was path-breaking writing at the time as epistolary prose in general tended to be ornate, formal and emotionally stunted.
 

Saturday, June 30, 2012

More Mehdi Hassan - "Allah Agar Taufeeq Na De"

We are fortunate that Mehdi Hassan has left us thousands of live and studio recordings of his peerless performances. Even for devoted fans it is not unusual to come across a gem that has never been experienced before. That happened to me today as I was browsing iTunes and saw an unfamiliar live album titled "Mehdi Hassan - EP" that was released in India earlier this year. Here I share the beautiful ghazal "Allah Agar Taufeeq Na De" which is the second recording in that album. The poet is unidentified. The piece is long (34 minutes) but the patience of true fans will be amply rewarded. My appreciation goes out to the person who has posted this on youtube so I can share it in this space. The ghazal's Urdu lyrics below the video have been transcribed by me.



Allah agar taufeeq na dey insaan ke bas ka kaam nahiN
Faizan-e-mohabbat aam sahi irfan-e-mohabbat aam nahiN

Ya Rab yeh maqaam-e-ishq hai kya go deeda-o-dil ka kaam nahiN
Taskeen hai aur taskeen nahiN aaram hai aur aaram nahiN

KyuN mast-e-sharaab-e-aish-o-tarab takleef-e-tawajjoh farmaaiN
Awaz-e-shikast-e-dil hi to hai awaz-e-shikast-e-jaam nahiN

Aana hai jo bazm-e-jaanaN meiN pindaar-e-khudi ko tor ke aa
Aye hosh-o-khirad ke deewane yaN hosh-o-khirad ka kaam nahiN

Zahid ne kuch iss andaaz se pee saaqi kee nigaheN parne lageeN
Mai kash yahee ab tak samjhe thhe shaista-e-daur-e-jaam nahiN

Ishq aur gawara khud kar lay bay shart shikast-e-faash apni
Kuch dil kee bhi un kay saazish hai tanha yeh nazar ka kaam nahiN

Update - May 22nd, 2016:

1) It is always gratifying to read comments on anything I write. Often, in addition to appreciation, you learn something new. A reader corrected the third sh'er and informed me that the correct phrase here is "awaz-e-shikast-e-jaam" not "jaan". From the context "jaam" indeed seems to be the correct word.

2) I don't have confirmation of this from any other source but at least 2 commenters have mentioned that the poet is Jigar Muradabadi.

Saturday, June 16, 2012

Mehdi Hassan: The "Voice of God" is no more

The legendary Pakistani singer Mehdi Hassan, universally acknowledged as "Shahenshah-e-Ghazal" (King of Ghazal), died on June 13th, 2012 after a protracted illness. The outpouring of grief and the subsequent torrent of tributes testify to the influence of Mehdi Hassan on lovers of music and Urdu ghazal all over the world. The world of music has lost an irreplaceable asset. I wrote a blog post in November 2009 on some of my favorite Mehdi Hassan pieces along with a biographical sketch (I am proud that several people have borrowed facts from that original piece for which I worked hard to dig up authentic information on the maestro's life).

With Mehdi Hassan's passing, most of the formative influences on my musical tastes since childhood have now passed into history with the notable exception of Lata Mangeshkar and Farida Khanum (may they both live long and prosper!). I can never be thankful enough to have been born in a family whose primary mode of interaction to this day are conversation, debate and argument about politics and history and discussion and enjoyment of literature, film, sports and music. This cultural environment and the economic struggles of a "sufaid-posh" middle class family are my dominant memories of growing up. Mehdi Hassan is the quintessential voice of that upbringing. His imbeccable diction, mellifluous voice and sureela-pan will always live in the hearts of those who love semi-classical Ghazal (a genre of which he is a virtual creator).

Here are a few of the obituaries and articles on Mehdi Hassan published since his death. RIP Maestro!! Your music will live forever!

The Guardian - Obituary
Ali Sethi in The Guardian
The New York Times - Obituary
BBC - Obituary
Hindustan Times - Reactions
Express Tribune - News and Initial Reactions
Public Radio International - Tribute

Let's conclude a tribute to the King in the most fitting manner with his immortal music. For the ghazal selection, here is a slightly lesser known beauty. Close your eyes, listen to the words of Maulana Altaf Hussain Hali and the masterful rendition by Khan Sahib. This is an out of the world experience.

Aage barhe na Qissa-e-Ishq-e-ButaaN se hum
Sab kuchh kaha magar na khule raazdaaN se hum


Here's a gem of a film song from the Pakistani movie "Pehchhan". Nisar Bazmi composed the music. My eight year old growing up in a very different time and place loves this song and often requests it in the car. Here is hoping that Mehdi Hassan's music will be discovered and loved by many generations yet to come.



P.S. I will mention it here to remind myself but will write some other time about my passing encounter with Mehdi Hassan when I was a young boy and he stopped his car at seeing my father and I standing by the side of the road near our VW beetle that had just broken down on us!!

Sunday, November 18, 2007

Poetry as an Antidote to "Rulers of the Masses"

This morning I have been listening to Iqbal Bano's beautiful rendition of Faiz's ghazal "Yeh mausam-e-gul garche" and thinking about poetry as the highest of art forms. The subtlety of thought and the economy of expression required for good poetry militates against a lazy, rambling and unstructured mind. The Nobel laureate poet Joseph Brodksy starts his collection of critical essays "Of Grief and Reason" with a wonderful quote from W.H. Auden: "Blessed be all metrical rules that forbid automatic responses, force us to have second thoughts, free from the fetters of Self."

It is in the terse reflectiveness of poetry that we, in Joseph Brodsky's words, "discover, in place of the anticipated consent and unanimity, indifference and polyphony; in place of the resolve to act, inattention and fastidiousness. In other words, into the little zeros with which the champions of the common good and the rulers of the masses tend to operate, art introduces a 'period, period, comma and a minus,' transforming each zero into a tiny human, albeit not always a pretty, face."

With that, here are some verses of Faiz's ghazal mentioned above from "Sham-e-Shehr-e-YaaraN" that precipitated this reverie:

Yeh mausam-e-gul garche tarab khez bohat hai
Ahwaal-e-gul-o-lala gham angez bohat hai

Ik gardan-e-makhlooq jo har haal meiN kham hai
Ik bazoo-e-qaatil hai keh khooN rez bohat hai

Kyoon mish'al-e-dil Faiz chupao tahe damaN
Bujh jaye gi yooN bhi keh hawa tez bohat hai